Postcrossing Blog

Louise Neumann (and LouPaper) need no introduction to the Postcrossing community. Her U.S. state, seasonal garden, and other themed postcards are collected by thousands of us.

She made time for an email interview with Clarisse (aka Cstar9) last summer, and we’re so grateful!

What music should people listen to as they read this interview?

Something cheerful and whimsical! Whatever puts you in a good mood. I think that would reflect my approach to my work, and the way I want it to make people feel.

How did LouPaper get started?

When I first started LouPaper, I was trying to see if I could make a career of drawing. I have a degree in illustration, but I didn’t know how to turn my passion into something that could earn a living. After college, I did some editorial commissions and other odd art jobs, but I was still trying to find fluency in my technique and confidence in myself.

I had this idea of practicing my craft by simply choosing themes that I loved and drawing them. I thought maybe I could sell them as prints, notebooks, etc.

Obvious question: Why postcards?

The day I dipped my toe into the world of postcards was the biggest fluke of my career. I had been selling art prints for a while, and I was working on a collection of U.S. state prints.

I hadn’t particularly considered postcards, but in 2019, a lady contacted me on Etsy asking if I could turn one of my state designs into a postcard for her wedding in North Carolina. I agreed and created 100 cards, and the funny thing is that she never actually purchased them. I never heard from her again.

With nothing to lose, I made them available in my shop, assuming I’d spend the next five years trying to sell 100 postcards. Who buys postcards? To say that I have since been educated on the prolific and magnificent Postcrossing community is an understatement. The speed with which I was embraced and swept up by this community still astounds me.

Even though I don’t have the time to send a lot of snail-mail myself, I feel fully immersed in the snail-mail world from a creative standpoint. I also receive a lot of postcards from the fabulous snail-mail community (truly the kindest people in the world) and I think that informs my work a lot as LouPaper continues to grow and evolve.

Garden plants are omni-present characters in your postcards. How is your garden connected to your work?

When I was first starting LouPaper, my husband Forrest and I had moved to Tennessee and were also starting our first garden. There was so much to learn and it was on my mind all the time. I was learning what grew best in each season – identifying seeds, different plants, garden zones, and so on. One of the first things I ever published in my Etsy shop was a set of four seasonal garden prints, which so encapsulate that period of my life, it’s like stepping into a time machine every time I see those designs.

Fast forward ten years and the garden still plays a role in my process as my favorite thinking spot and mood enhancer. It is also very “me”, as I love to be creating and producing things all the time.

Whether it’s drawing, growing a garden, or cooking a meal, I am definitely my happiest when I’m creating something.

What are some of the elements that define LouPaper for you? What do you hope people take away from your work?

I think one thing that sets my art apart is my traditional pen and ink approach. More and more art is digital these days – which I think actually opens up a whole world of amazing techniques and design elements – but working on the computer is my least favorite thing to do, so I don’t!

I have distinct themes (food, seasons, holidays, states). I also like round numbers and neat things and things that “fit”, which I think is reflected in my work.

Occasionally I will create a postcard that doesn’t really fit the rest of my collection of work, and I will release those designs as limited-edition postcards, so that I can explore and enjoy the theme, send it out into the world, and then let it go.

Maybe this goes without saying, but I LOVE what I do. I literally could not enjoy it more. I hope the people who enjoy my cards can feel that positive energy coming out through the designs, really embodying the spirit of “happy mail.”

I love the thought that my cards connect people around the world and bring a little happiness to the mailbox. What could be more rewarding than that?

What’s the first step to getting an idea from your head to the page? Do you tend to sketch components one at a time and then eventually group them into a piece, or do you get ideas for whole cards?

I always want my work to be consistent and recognizable as a cohesive “brand.” With that always at the back of my mind, I’ve developed almost a formula for the way I create for LouPaper.

I am always nervous when I begin any new theme, feeling unsure with my drawings and ideas – maybe like the theme is missing the mark somehow. But I have learned to trust my process and push through my nerves.

I’m the biggest list-maker you’ll ever meet. I have notebooks and little sheets of paper and post-it notes everywhere. To organize future projects, I have to-do lists that are as long as each arm, and I’m constantly thinking of new ideas. I also receive a lot of suggestions from people who would like to see a certain design, so I never feel that I am without inspiration.

Starting with lists, I hone in on a theme, then sketch out a whole slew of different elements for that subject. I don’t have a particular composition in mind, I just create all the little pieces that I want to include, then put them together and keep shuffling the parts around until I finally land upon the puzzle that fits.

Over time, I have learned to trust my instincts about whether a finished piece is actually complete or needs to be adjusted. Sometimes I’ll sleep on it and come back in the morning with fresh eyes, just to make sure.

You mentioned that LouPaper began with a commission. Do you still take those?

I used to take a lot of commissions, which was quite a different process for me. I have worked with many companies in the food and beverage industry—often a challenging process, and typically very time-consuming. Companies / art directors tend to expect a series of ideas, followed by some sketches, and an ongoing conversation until we reach the final artwork. It’s a fairly defined process.

I’ll say I have worked with some incredibly kind and supportive people through that work, and it’s probably where I have grown most as an artist. It has given me some validation for feeling that I could step out on my own more with LouPaper.

Since having my two children, I have needed a more flexible schedule, and during this season of life, I put all my work-time into my LouPaper business.

What does research look like for you? (Do you travel to ALL the states? Eat ALL the pastries?)

Ha! Well I have definitely eaten all the pastries and all of the donuts (and my veggies too, so don’t worry Mom!). I like to be as authentic as possible in my work, which is why I typically choose themes that I am interested in or have some knowledge of.

It isn’t always possible, though, and there are plenty of themes in my work that I’m not an expert on. The state series is a good example of that. I have traveled a lot, and since moving to the U.S. in 2010, I have lived in California, Alabama, Tennessee, Oregon, and Idaho. Because I grew up in England, I think I have always looked at America with fascination and wonder. It’s such a big country and very different from where I grew up. I see it with the eyes of a curious visitor, even though it feels completely like home to me here now.

But there are states I haven’t visited – or where I’ve barely scratched the surface. For those states, I do as much research as possible and also solicit input from people who live there.

This is where Instagram comes in handy— I can throw out questions to my community and they’ve always got me covered.

By the way, it’s Friday today so my cocktail research will resume this evening. That one is a work in progress!

Tell us about your studio – what are some of the inspirational elements there? Is there anything about it that might surprise us?

My studio space is what should have been the “formal dining” room in our house. We are not formal people, though, so I claimed this room for LouPaper the moment we moved in. I sit at my desk in front of a big, beautiful window that looks out onto our garden. It is my happy place, for sure.

The only downside is that when people walk in the front door, they basically step straight into my workspace, which is absolute mayhem. My studio is in a constant state of functional chaos, though I do have lots of things here to keep me inspired.

I think artists are often divided into two groups: those who display their own work in their home, and those who don’t. I am 100% in the second category. I adore the work of other artists and have it all over my studio.

I accumulate cups of coffee, water, and tea on my desk all day long and basically need a removal truck at the end of the day to take them all back to the kitchen.

I am also infamous to all my friends and family for leaving a trail of tiny little paper snippets wherever I go. I trim the corners off hundreds of postcards throughout the week and they end up on my socks, in my pockets, all over our house, and basically everywhere you could imagine. But I really like round corners, so I guess it’s a price we’ll pay.

Looking at my office floor right now… I really ought to sweep.

Do you ever get creator’s block, and if so, what do you do about it?

I think I used to get creator’s block more when I was starting out and I didn’t have a sense of who I was as an artist or how to channel my creative energy. I was always looking for a specific result, without enough experience to have confidence in the process. I could often see what I wanted to achieve but not quite how to get there.

For me, creator’s block has become less of an issue. Time, patience, and oh so much practice has gotten me more into my groove over the years.

Occasionally I do struggle to start a new project. If I realize I don’t have enough passion for it, I try to side-step to something completely different. Often, I will still be thinking about that project further down the line and come back to it at a time when I am in the right mood to tackle it.

What’s your earliest memory of defining yourself as an artist?

It all started with me winning an art competition at school, where I drew a really mediocre sheep at the pivotal age of 8. It was the taste of success that got the ball rolling, and a lifetime or so later, I found myself in the idyllic coastal town of Falmouth, as a shy and clueless 20-year-old Illustration student doing the whole university thing and also my own laundry.

It has been a steady road of failures, triumphs, self-doubt, and determination from that moment on. My first professional commission (an illustration about dim sum for The San Francisco Chronicle) and my first Etsy sale were pretty big moments. There are plenty of disappointments and frustrations, but I’m definitely somebody who tries to celebrate the little successes along the way. That’s true about my approach to life in general.

The road to becoming an artist isn’t always easy. There have been times when I have done completely different things – like painting houses and creating a gourmet popsicle business (!) – to make ends meet. I’ve learned lessons from everything I’ve done, and gradually I’ve been able to make the art dream work.

Resilience has been key! I have a little post-it note stuck on my desk reminding me, “success is dependent on effort.” It can take time, but continued effort combined with passion and a positive attitude will eventually pay off.

What are you working on right now?

I am currently drawing a conch shell. Nature creates some weird and wonderful things, I tell you.

On the broader spectrum, I am working on a few different postcard themes (beach, coastal, wedding, and my seemingly never-ending state collection).

I am also looking at adding a few different sorts of products, so stay tuned for those later this year!

What do you look back on most proudly?

Overall, I think the LouPaper brand itself is something that I’m the most proud of. It’s been a work in progress for the past decade, not just in the creation of content but in marketing my own work, being punctual when shipping orders, and trying to give my customers the best possible experience. I feel their support on a very personal level, and I want my customers and community to know how much I appreciate them.

What is the biggest challenge in your work right now?

The biggest challenge in my work is time management. I love my work, and I love being a wife and mom. I have to manage my days to try and find as much balance as I can and divide my time and energy accordingly. It’s a busy season of my life, and I’m so grateful for all of it!

What’s next for you?

As a mom of a 2-year-old and 6-year-old, I’m living in the moment! But generally speaking, I will be continuing to work on LouPaper, growing my garden, enjoying my family, and trying to cook all of the recipes I’ve saved on Instagram (about 5000 of them, so wish me luck!).

And that’s it! :) You can learn more about Lou on Instagram, or visit her shop on Etsy.

And now, for the small giveaway! Clarisse is going to send 4 LouPaper’s postcards to 4 randomly picked postcrossers. For a chance to win, you should reply to this prompt: “If Louise were to feature your city, state or region on a postcard, which things do you think she should include?” Leave a comment below, and come back this time next week to check out the winners!

Every so often, we do a little spotlight about a Postcrossing member, and this time we reached out to EvanescentHour, who lives in Illinois, USA. Without further ado, here are her answers to our questions!

How did you get started sending postcards? What is your earliest memory of them?

I actually didn’t get into postcarding until 2021. So my earliest memory is still fairly recent. My first postcarding experience was driving around with my mother, trying to find a good place that sells postcards. For some reason, I remember that I was reading 'Small Favors' by Erin A Craig in the check out line.

How did you come across Postcrossing? What got you hooked?

In 2020 I started getting super into travel and learning about countries outside of my own. I liked researching places that I wanted to travel too, like The Netherlands and Norway. While doing this research I remembered that when I was around six or seven years old I had a penpal from Ireland. I thought that I would get back into the penpaling hobby but, unfortunately, the phone number that my grandma had called to get me set up with a penpal is now defunct. So I started searching for other websites and services that help set people up with penpals. That’s how I came across Postcrossing. It wasn’t penpaling so I was a bit skeptical at first, but I love collecting things so I thought that I would give it a go.

What got me hooked was the community. I love seeing other people’s handwriting, how they use stickers and washi tape, and how they structure sentences. I enjoy going to the forums and talking to users there as well.

What’s one way that postcards have changed your life for the better?

Postcards have been super important to me. 2020–2022 had been very rough years for me and sending postcards helped brighten my day a little bit. They were something to make me smile when I felt like I didn’t have many other reasons to do so. They also helped me connect with my mother and grandmother.

Have you met any other members in real life?

I have! I went to a postcarding meetup with my mother and grandmother. It was an amazing experience, lots of friendly people and we had a nice lunch in this local cafe. The atmosphere was very relaxed and quaint and everyone seemed to connect right away. I also found out that I had met one of the people there BEFORE the actual meetup; we had talked to each other at an Eivør concert about two months prior to the Postcrossing meetup.

Have you been surprised by any place that you have received a postcard from or sent a postcard to?

My favorite Postcrossing coincidence is that I was browsing for users from the Bahamas to request a direct swap from and the profile that I clicked on, ended up being the user whose address I pulled!

I was also surprised to have gotten one from Guam.

Show and tell us about your favorite received postcard to date, and what makes it special.

My favorite post card that I have received is the Blue Man Group postcard from this photo of my collection. I don’t have a close up picture of it but it has a special place in my heart because my mom surprised me with it one day. She knew that I was getting super into the hobby and when she visited Chicago she sent it back to me as a little memento. My mother has very recently passed away and so it’s nice to have this small piece of her with me.

As for postcards that I got from Postcrossing there are two that I really love and can’t choose between; there is this bat maxicard. I adore bats, they are my favorite animals and this is the first maxicard I’ve received. It’s also pretty new!

I also really love this one. Bellatrix is one of my all time favorite characters so it was super cool to get a postcard with her on it!

What is it your favorite part of the Postcrossing process?

I think that my favorite part of the process is actually walking to the mailbox! Both to send postcards and to check to see if I received any. I especially love doing so in the springtime when I can get a whiff of the lilacs and wet grass.

Do you have any other interesting hobbies or collections?

I like to say that I collect collections because I have so many from rocks to fandom merch. But my favorite collection is my CD and Vinyl collection. I have over 500 CD’s (my goal is to get 1000 of them). I have CD’s across almost all genres, my favorites are Symphonic Metal and Folk Metal.

My favorite hobbies aside from postcarding are creative writing and scrapbooking. Writing in particular; I have been making up fantasy stories since I could pick up a pencil. I love writing horror and fantasy the most and hope to be a published author one day. For now I share my stories with the world through fanfiction and have made a lot of friends that way.

Is there anything else that you are passionate about?

Music and nature are my passions. I also have an interest in bats, the goth subculture, storms, Dutch culture, and Swedish culture. I have autism so I get super super invested in all of these topics.

Music and the goth subculture are probably the two things that I am most invested in. I have a goal to discover and listen to one band from every country in every continent. So far I have listened to one band in every country in Europe, Asia, Africa, and South America and one band in every US state. I am working on discovering one band from each Oceanic country.

The goth subculture has also been very important to me. For the longest time I had trouble making friends because I never really tried to 'mask’ my autism. The goth scene in itself is a subversion to societal norms and so I, already more of an outcast so to speak, found a home in that scene. I love the fashion and the music. I love the aesthetics. And I found that after putting on the corset and the choker, my confidence skyrocketed. I started making more friends both fellow goths and outsiders who were curious about why I dress the way I do.

Bob Eckstein is an award-winning writer, New Yorker cartoonist, and author/illustrator of The New York Times best-selling book (and postcard box set!), Footnotes from the World’s Greatest Bookstores.

Last summer, in a webcast interview from his New York-based studio, Bob shared with Clarisse (aka CStar9) his love for endangered bookstores, admitted he used to send toast through the mail, and urged creative people not to work alone.

For your World’s Greatest Bokstores project, why bookstores? And how did you narrow down your bookstore choices?

There were many different reasons why a store would be chosen: its historical significance, its importance to the community, maybe its beauty. Main-Street bookstores play so many important roles in a community, and I wanted to capture these in the book.

I have a great interest in story: people want to read something with meat on the bone. Luckily, bookstores are magical places. I profiled about 150 to 200 bookstores, and then had to choose half. I was hoping there would be a sequel!

You’ve written books about the bookstores of the world, but you’ve also written about snowmen, cats, Arctic explorers, and more. What does research look like for you?

Each of these books would have taken much longer without the internet. I make every attempt to visit and learn from a subject in person, but that is not logistically realistic, so sometimes research comes from surfing the web.

Once I find out everything I can, I try to simplify and curate the interesting stuff. That’s the glamorous part of writing a book. But eventually there comes a point where you have to stop doing that and just start writing.

You write for TV, you write prose, you paint, you are a cartoonist… Is there a medium that feels most like home for you?

It’s so much fun to create a cartoon that makes people laugh. And writing is something that I am certainly at home with.

I juggle many different things in my career. I’m a public speaker, I teach, I do cartoons for different magazines, I do illustration. It’s hard to make a living from this stuff. You have to produce a tremendous amount of work. At the moment, I’m working on four different books.

I write almost every single day. For the last few years, I’ve been waking up by 5:30 a.m. to start writing. By 9:00 a.m., I usually finish a piece. Then I can get started with the rest of my workday. That discipline is how I get so much done. I also don’t watch much TV!

You’ve said in an interview, “My deadlines are relentless [and I don’t doodle for fun]. If I’m drawing, it’s with a purpose.” Do you ever get creator’s block and if so, what do you do about it?

I have lists of ideas I don’t have time to get through.

I don’t get writer’s block, where I’m just sitting around for an idea or joke to fall into my lap. The way I teach others how to get out of ruts is this: usually it’s a matter of tuning in to the voices and ideas in your head. These days the world is a very loud place. We are all inundated with distractions and sensory overload. Taking a walk or just even taking a bath to be alone with your thoughts…it’s surprising how easy it can be to come up with ideas during those times.

You also can’t work alone. I believe the best gift a creative person can have is the ability to surround themselves with talented people.

Anything I’ve had success with can be traced back to someone who helped me: someone who gave me encouragement, who inspired me to explore something new, or who gave me a professional opportunity.

How do you narrow down your ideas?

There is so much rejection in this field. So, basically, I fold up as many paper airplanes as possible, and then I chuck them out of the window and see which ones stick.

I never actually intended to do postcards. But the opportunity came, and I went with it. I didn’t appreciate initially that the Bookstore postcards would go over so well. I always just cross my fingers that people will have a chance to see the things I work on. I know I usually sound like a have an ego the size of God’s cigar, but I was genuinely surprised to hear that for example, students were wallpapering their dorm rooms with the Bookstore postcards.

What’s your relationship to postal mail?

I love postcards. I have sent thousands of them – really! I used to send out mailings in groups of a thousand to potential art clients. I also sent jokes like poly-ethylening slices of toast and writing “Keep in toast” in yellow plastic that looked like squeeze-on butter. I eventually mailed them in plastic bags after sending hundreds with just putting a stamp on the piece of toast. Today I probably would be arrested.

I dearly miss the age of regularly corresponding with hand-written postcards. This year I sent maybe only a hundred. Email has ruined it, postage increases has ruined it, younger generations who don’t even write in script anymore has ruined it. I know I sound like an old man yelling from his porch, but it seems everything I love is going extinct -—from old-fashioned postcard correspondence to vinyl LPs, MAD magazine, and gag cartoons. I try to be a help. I raise awareness about the plight of disappearing bookstores. I’m writing a book now on our most important museums, and I’m working with a friend on a film that’s partly about climate change.

You do live drawing for events. How did that come about?

When I was a kid, I loved Sports Illustrated, and they would do drawings of sporting events. I eventually worked for them and was also a sports reporter of sorts for The Village Voice and The New York Times. So, it was natural for me to incorporate my humor and artwork to coverage.

I used to take-over the Times website front page for the Super Bowl, Olympics, or World Series. Then I did it for The New Yorker: the Oscars, Golden Globes, etc. I still live-draw occasionally to promote cultural events. It’s perfect for today when people want to see stuff as much as they want to read about it.

It’s also an example of how I like to always push the envelope, which artists and writers should always do. I’m always asking “what if?”.

It’s like the squirrel operetta I tried to make. What if?

What are you most proud of, outside of your writing and art?

It used to be my hair.

I’m very proud of my wife. She is a well-known book artist and a total bad-ass—she will hate this answer and I will pay for it later. But that’s what being a bad-ass is all about.

What advice would you give your 10-year-old self?

Growing up, there was no one who said, you’re funny, or, you should be a cartoonist. That didn’t happen until I was surrounded by friends very late in life.

My friend and mentor Sam Gross – who happened to be a cartoonist for the New Yorker – organized my birthday party one year. That party also happened to be the regular New Yorker staff lunch. The food was very good. I asked if I could come the following week and he said sure, but you also should make a cartoon and submit it to the magazine.

So I took up his dare, and the New Yorker ended up buying and publishing the first cartoon I drew. I realized later it wasn’t as easy as that. But it opened the door.

I always say to my students, you’re never going to have these things happen if you don’t show up. 80% of success is just showing up – being willing to listen to and learn from people. You never know when something life-changing is right there in front of you.

What’s next for you? And importantly: what postcards can we expect next?

This summer, I spoke at the Humor Writing Conference. A few times a month, I produce my Substack newsletter, The Bob, which has turned into a huge, pleasant surprise. I have a handful of magazine assignments to complete. As I said, I’m working on four books.

And I am looking to make a box set of postcards in 2025, of museums in the U.S.

We can’t just leave on that cliff-hanger! Tell us about the museums postcard project!

I covered 155 museums for this project. Like with the bookstores project, I visited as many of the museums as I could in person. But for those I couldn’t visit, I sent friends and other ambassadors to report back to me with their impressions and photographs.

When I went to a museum myself, first I would just go and experience the place holistically. But in the back of my mind, I was always thinking, what’s the best angle or the most unique view of this place that would create an incentive to people, to say, Oh, I’ve gotta add this place to my bucket list.

An example is the American Museum of Natural History, which has an iconic blue whale that hangs in the main room of the oceanic division. I felt like it would be delinquent on my part not to give people what they expect and want to see in a view of that place. And then I would make supplemental illustrations to pique additional interest. I hope people will feel a real sense of wonder when they’re exploring this project, whether they’re looking at the Museum of Fine Arts in Boston or the SPAM Museum in Minnesota. It’s just mind-blowing that all these places exist.

I want to add that I’m still sad that the bookstore book ended. It was the same with the museums project. I did three illustrations a day. I put my heart and soul into this project and slept very little. But I didn’t mind the long hours because it was such a fun thing to do.

Editor’s note: Footnotes from the Most Fascinating Museums is about to be published — it’ll be out on May 14. Hopefully the corresponding set of postcards will soon follow! 😊

To learn more about Bob, check out his website and newsletter! Bob has given interviews about the long and winding road to becoming an author and cartoonist, about humor, about his book The Complete Book of Cat Names and also been interviewed for the New Yorker Cartoon Caption Contest podcast. For the aspiring writers out there, he has some tips on publishing and writing on Writer’s Digest.

And now, for the sneaky giveaway: Clarisse is going to send 4 postcards from Bob’s World’s Greatest Bookstores set to 4 randomly picked postcrossers! 🎉 To participate, leave a comment below to share your favorite bookshop. Come back this time next week to check out the winners!

Some months ago, we received a message from Janna (aka revode) who told us about her visit to a wonderful postcard exhibition at the Porter County Museum in Indiana! Sadly, we couldn’t go there ourselves… but the cheeky Little Mail Carriers were happy to jump in and volunteer for a guided tour. 😍 Here is the report from their latest adventure!

Hello everyone! We have arrived at the Porter County Museum in Valparaiso, Indiana! We heard that the PoCo Muse has an exhibit with hundreds of postcards on display until January 7, 2024 so we decided to come check it out!

The Porter County Museum was founded in 1916 and has over 20,000 objects in their collection related to the history and culture of Porter County, Indiana. With so many objects in the collection they rotate through what is on display frequently in order to tell as many stories as possible. When we visited, the Robert Cain Gallery was featuring art from the museum’s collection, the Eunice Slagle Gallery had the exhibit “Connections: Take a Closer Look”, and the Montague/Urshel Gallery featured (the exhibit that we traveled here for) “Ever Yours: Postcards from the Golden Age”.

Before searching out the postcards, we explored the Robert Cain Gallery, admiring the work of many Porter County artists who worked to capture scenes from the area. The art in the Cain Gallery rotates out every three months, so that there are always new things to see.

Walking through the museum to get to the postcards, we had to journey through the “Connections” exhibit where seemingly different objects from the museum’s collection are paired together with a variety of connections between them. This concept allows for a wide range of objects to be on display. Did you know that there has been a Popcorn Festival in Valparaiso every September since 1979?

One of the first objects we came across in “Connections” was just our size! It is a scale model of the Maxwell/Remster Dairy Barn which was made by John Remster Sr. for his son John Remster Jr. in the 1950s. The barn can be opened up and played with and has been played with by every generation of the Remster family since its creation! Unfortunately, the barn it is modeled after no longer exists, though the milk house that was connected still stands.

These two pieces are connected by being not the final product. The linocut block (right) shows the artist, Hazel Hannell’s home that was in Furnessville, IN. No prints made from this block are known to exist, though you never know what might be in someone’s attic. The “Brenda Starr Reporter” comic strip was written and illustrated by Dale Messick who lived in Ogden Dunes, IN and inserted many local and personal references into her strip. The comic is in the final stage when it comes to the artist but not for the reader who ultimately would have seen this in the newspaper.

I swear that dog is watching us… 🤨

Check out this postmark stamp! It is from a town that no longer exists! The Tassinong Post office was founded the year after Porter County was founded in 1836, making it one of the earliest European settlements in the region. By 1884, almost all of the Porter County post offices were receiving their mail by rail, Tassinong was one of two still serviced by horseback. At the turn of the 20th century, when the Kankakee Marsh was being drained, the people of Tassinong refused to allow a proposed rail line to come to their town. The railroad, instead, bypassed the village and promoted a new town called Kouts. In 1903 the Tassinong post office was discontinued with all of the people relocating to somewhere serviced by rail.

Can you imagine checking someone out on this cash register? This is a nickel plate brass National Cash Register manufactured in 1914 sold to Wark’s Hardware in Valparaiso. The register worked perfectly at Wark’s until the early 1990s when someone broke into the store and broke the machine. Mr. Wark was not one to throw things away just because they didn’t work, so he disconnected one of the cash drawers from the machine and then it became a very large cash drawer until the store closed in the early 2000s.

Turns out she WAS watching us! This is Daisy the taxidermied dog and her eyes follow you! She is 90 years young and belonged to Helen Slanger of Portage, IN. She has been in the museum’s collection since the 1970s and has become an unofficial icon of the museum.

After journeying through ‘Connections’, we finally made it to “Ever Yours: Postcards from the Golden Age” — the exhibition we had been looking for! I don’t think that that postcard will fit in a regular mail slot…

Did you know that the first postcard was created in 1869!?

The PoCo Muse has over 2000 postcards in their collection. How did they narrow it down to the couple hundred on display? The wall of postcards that are behind us here were all received by one man, John Griffin, from Valparaiso, IN!

Did you know that approximately 1 billion penny postcards were sent every year between 1907 and 1915?

All of these flip books have both sides of a historic postcard with transcriptions! This one is a real photo postcard showing Lila and Thaddeus Whitlock posing with their dog Maxie. Lila sent this to her daughter Olive who was studying Nursing in Iowa in 1912. It is nice to see that people have felt conflicted about their selfies from the beginning; “I was so engaged in trying to keep Maxie still, I forgot to look pleasant.”

The exhibit makes the comparison of postcards to social media of today. The message is public since there is no envelope, the amount of text is limited to the space available on the card, and it is accompanied by an image which might be compared to today’s use of memes. Just like social media today there was pushback to the use of postcards with detractors saying that postcards symbolize “the triumph of the commonplace.”

This binder of postcards shows an individual’s collection of historic postcards that they loaned for the exhibit. In the early 20th century it was common to invite guests over and flip through your postcard collection. Similar to showing friends vacation photos.

After reading all of those postcards it was nice to color some for ourselves. Plus once we are done coloring the booklet, it can be turned into a postcard — just tape it shut and add a stamp on the back! On the wall above, the many postcards sent to the museum are on display, which helps to show that postcards are still thriving today! Hurray! 🎉

Thank you to the wonderful team at the Porter County Museum, and especially Visitor Experience Manager Quinn, for opening their arms to the Little Mail Carriers and showing them around. If you’re in the area, the exhibition will be there until January 7th, so don’t miss it!

The little ones are back on their envelope and on their way to their next adventure… who knows where they’ll pop up!

Sue (aka Suegathman) has been a guest on the Postcardist podcast, and a huge fan of postcards and correspondence all her life. We thought it’d be great to invite her to chat a bit on our blog about her love of postcards and of Postcrossing, and get a glimpse into her postcard-related interests! She agreed, and we hope you’ll be fascinated by her stories below.

How did you come across Postcrossing? What got you hooked?

In 2007, I spent lots of time on a message board (remember those?) for another interest of mine, and one of the members had the Postcrossing URL in her signature line. I’ve always been fascinated with anything to do with mail, and I clicked on the link and was intrigued. I signed up right away and sent my first five cards – which were immediately returned to me by the postman, because I put my return address in the corner and the scanning machine routed them back to me. I was mortified and almost gave up – luckily I decided to give it another try! I was on the lookout for a new hobby which wouldn’t take up a lot of time, since I had just returned to work full-time after many years raising kids. While I no longer had free time during the day to sew or read, I still wanted to do something that was fun and provided a little escape from reality. I also had a big stash of blank postcards I’d collected over the years. It seemed like a match made in heaven – which, in fact, it turned out to be.

Show and tell us about your favorite received postcard to date, and what makes it special.

It’s hard to narrow it down, since I have so many great cards to choose from. I really love old propaganda and advertising cards. They say so much to me about a culture and its values. When I received this card several years ago, I put it up on a bulletin board in my kitchen and invited everyone who came over to make up a caption for it, since it’s in another alphabet. The answers were hilarious! I also immediately fell in love with this card and put it on my bulletin board at work – which is a little cheeky since I work for the government. I share the responsibility for training our young interns, and I love seeing if any of them recognize these famous faces.

How did you get started sending postcards? What is your earliest memory of them?

When my sister and I were small, my parents would often take trips during the summers while our grandparents came to our house to watch us. They always sent us postcards from their trips, usually standard viewcards showing famous attractions they visited. Our entire extended family liked to send postcards – lately I’ve enjoyed sorting through batches of old cards which my grandparents and great-grandparents exchanged with my parents.

What’s one way that postcards have changed your life for the better?

This hobby, and our wonderful Postcrossing community, have carried me through many different phases of life. When I first signed up, I was newly back to work after raising kids, had just moved to California and was trying to figure out what my adult life would look like. During the 15.5 years since then, I’ve been surrounded by postcards as my marriage ended, I took care of my ailing parents, I lost my job, went back to school and started a new career, the kids grew up and left home (and came back again), I met and married my new husband, got through Covid isolation, changed careers again… whatever I’m doing, postcards are there with me. This hobby is the one constant as my life has moved in different directions!

Show us your mailbox, your mailman/mailwoman, your postoffice or the place where you post or keep your postcards!

Have you been surprised by any place that you have received a postcard from or sent a postcard to?

Two cards are extra-special to me because they came from people I know in “real life, ” who I didn’t know were Postcrossers! A friend I’ve known for more than 20 years sent me this card, featuring a couple of photos of us together over the years. And the husband of my mom’s oldest friend sent me a card not too long ago. These were both big surprises (and cool cards in their own right, too). It’s also been interesting, since I’ve been participating in the project for a while, to see which countries are most active. When I first started, most of my cards seemed to go to Finland. Later, there was a full year in which I hardly sent any cards anywhere but Russia. During Covid, so many countries stopped exchanging mail with the US. Lately, the US has gotten more active, so the majority of my cards go there or to Germany.

Have you met any other members in real life?

Yes – we’re lucky to have a really great local group in San Diego which gets together twice a year for official meetups, plus many of us have become friends in “real life” and do other things together. Some of our local Postcrossers are my close friends, and they’ve introduced me to other hobbies I really enjoy. A Postcrosser even got me my first job after graduation!

Is there anything else that you are passionate about?

Other than postcards, food is my greatest obsession! One of the things that makes me happiest is cooking for a crowd of people, and I love hosting holiday meal and having friends over for dinner (and board games or cards). I volunteer with Lasagna Love, which matches up volunteer cooks with families and individuals in need of a home-cooked meal. Except for a few breaks for travel or health issues, I’ve been making and delivering a lasagna or two every week for the last 2 1/2 years, which is a lot of fun – I’ve gotten really efficient at it!