Postcrossing Blog

Petr Václavek is the creator of the Acorn Elves, beloved characters in the Postcrossing community and beyond.

Petr paused from his work last autumn to share with Clarisse (aka CStar9) how he got his start in photography, give us an inside look at his artistic process, and let us peek at the cute stickers he debuted last year.

You’ve described the acorn elves (dubánci, in Czech) as a happy accident. When building woodland characters to entertain your children, you ran out of chestnuts and switched to using acorns. At what point did you realize this was an idea that could be widely – even globally – popular?

Yes, it was exactly like that – the acorn elves were created by accident. We ran out of chestnuts and so I used acorns instead, which we had plenty of in the garden. I first realised the popularity of the acorn elves when I posted the first pictures of them on social media – everyone loved them and they were one of my most successful posts. But it took me another year to realize how popular they really are. The first year I made only two or three figures, but a year later I made more and since then I’ve been making them regularly. The most successful one was of course the one sitting on the toilet, which literally went around the world (at least on the internet).

What are some elements that define Dubánci for you?

Playful, curious, mischievous, funny, mischievous again… They are forest creatures that have inhabited oak forests since time immemorial (sometimes you can see them in nature, but they are very shy and can hide themselves skillfully), but at the same time they are – at least some of them – very curious and so they watch what is happening in the human world and then try to imitate humans. But they don’t always get everything right and that’s how a lot of comical situations arise, which I like to capture in photographs.

How do you get an idea from your head to the final image? Which step in that process is generally the most challenging / time-intensive?

The process is sometimes a bit lengthy – sometimes it takes a few years from the initial idea, because I have a lot of ideas and they keep coming. In order to get them out of my head and not forget them, I write them down – actually, I sketch them – in a notebook, and then once in a while I make one of the ideas come true – I build an acorn elf based on the sketch, take it to the woods or some other nice place, take a photo of it there, and then edit the photos in Photoshop at home.

Sometimes the hardest part is to make the acorn elf, sometimes to glue together its equipment (bike, motorbike, lantern), and sometimes it’s much harder to take photos. Just to find a suitable place in the forest I have run dozens of kilometers there. Sometimes the shot needs a lot of editing in Photoshop, because even digital photography isn’t omnipotent (or I shot it wrong).

But I enjoy all of the above stages and am happy when the result entertains the fans.

Is there a particular image that has a funny or surprising creation story?

It’s interesting that even after eight years I still remember where I took each photo, including the story that led to the photo. Many of the photos were taken with my youngest daughter in the stroller – when she was about to go to bed after lunch, I loaded her into the stroller, grabbed my acorn elves and camera, and headed out into the woods. Along the way I looked for nice places to take pictures and when she finally fell asleep, I stopped and took pictures of acorn elves.

I have made several means of transport for the acorn elves. The first one was a bicycle (I am an avid amateur cyclist), followed by a scooter, a skateboard and then a motorbike came to mind. But I wanted it to be perfect, so I found the plans of a historic Czech motorcycle, Jawa 250, and glued together a faithful copy of it. It’s probably their most challenging item – it took me 10 hours to glue it together, but the result is worth it!

While photographing the instructions for making Halloween pumpkin decorations for a children’s magazine, one of the acorn elves dropped his little hand. So I immediately shot a horror scene, which was definitely not in the plan. At least the kids will be more careful of their fingers when they are working with the knife while carving the pumpkins!

My most famous and favourite photo is of the acorn elf sitting on the toilet and reading newspapers. When I was taking a set of postcards for the holiday campers, I thought I would reuse the toilet! All I had to do was make a wooden caddy and a funny new scene was ready!

This was one of the first acorn elves postcards. The owner of a local postcard company talked me into designing a couple of postcards with acorn elves on them. And when I told him that postcards weren’t used much anymore, he showed me Postcrossing. I was impressed and immediately asked him what should be on the postcard, what motif would users like the most. He replied – well, something with mail, like a mailbox. I immediately remembered that a few days ago I was building little houses for the acorn elves in the nearby forest with kids, so I just glued together a mailbox and some letters and postcards from birch bark at home and went to take pictures.

I was once approached by a magazine that said they would like to do an article on acorn elves and that they could be on the cover, but as it was for the Christmas issue they wanted something with a Christmas theme and came up with the nativity scene.

I took it as a challenge and had a great time. Especially shooting in the dark and lighting the scene. It made a perfect cover and to this day it is one of the most beautiful Christmas cards.

What is your studio like?

I may surprise you, but I don’t have a studio. I usually glue them in the evenings at home, right in the living room on the table, when my wife and children are asleep. I have a quiet place to work and no one disturbs me. It’s just that the midnight clean-up is sometimes more difficult, because I have to carry a lot of boxes of material and all sorts of tools while I’m working.

The most important tool in the work is of course the hot glue gun – it’s unbelievable what you can do with a melt gun. At one time I used to make stuffed animals with my youngest daughter with a melt gun because I got tired of sewing them with a needle :) Another must is a sharp knife or gardening shears. But sometimes you also need to use a jigsaw, a hacksaw, a small cutter or a soldering iron.

And if you ever catch me gluing acorn elves in the evening, you might be surprised how often I look in the mirror and try out their poses – I want the result to look as natural as possible. So sometimes I’ll use a mirror, other times I’ll search the internet for inspirational photos of the pose.

Acorn elves look simple. But there are trade skills needed to create their world: woodworking, photography, and design, to name a few. You learned woodworking in your father’s workshop as a child, then studied software engineering and became a programmer and web designer. When did photography come into your toolkit? And, do you still work as a designer?

When I was a kid, I liked to help my dad in the darkroom when he developed our family photos, but I didn’t try photography then. I didn’t get interested until after graduation, when I was a senior front-end developer for a multinational corporation and the first affordable digital cameras came out.

Sometime in 2003 I bought an Olympus C730 digital ultrazoom with an amazing 3 megapixel resolution and 10x optical zoom. It was a small miracle for me and I fell completely in love with digital photography – I watched a lot of photography websites, had my images critiqued and gradually learned how to take decent pictures.

Everyone liked my photos and I often heard that I could do it for a living. So I tried uploading my images to microstock sites and was surprised at how well they sold. So I gradually built up my portfolio on the microstock in the evenings, and later I started adding vector illustrations because I found they sold even more and I enjoyed making them.

As time went on, my earnings from the microstock were more than my income from my corporate job, so I switched to freelancing. Nowadays, I still make my living from the microstock, but I do other graphic design work on commission from time to time, and then of course the acorn elves make some money too, but I still think of them as my creative escapades that I do for fun.

What is your relationship to postal mail, and how has that evolved over time?

I love the mail, it’s always a surprise what turns up in the mailbox and when it arrives. When I discovered Postcrossing, I thought it was a great idea and I love it! My kids and I have sent several postcards out into the world this way. So I’m keeping my fingers crossed that the price of postage doesn’t go up too much and that Postcrossing will continue to thrive in the future.

And one more thing – this year I have prepared a special set of stickers with acorn elves for decorating postcards. So maybe someone will like it.

What’s something you’re proud of, outside of the acorn elves project?

Definitely my kids! We have three and they’re so smart. My oldest is following in my programming footsteps and my two daughters are incredibly creative, so I have my acorn elves followers.

The acorn elves are now postcards, calendars, stickers, t-shirts, books, even games. What’s next for them, and for you?

I’ve been making postcards, calendars, and t-shirts for years. I thought it was a shame to keep the photos only on the internet. This way, the acorn elves are more exposed to the real world and many more people get to know them. Over time, in addition to my Czech e-shop, I started a shop on Zazzle, just to fulfill the wishes of my foreign fans. And of course I also made a separate site in English.

In the last few years, I’ve started to create more books. I began to collaborate with a successful children’s book writer Klara Smolíková and so gradually three books with stories of acorn elves for children were created. It’s a different job again, when I have to read the text and take pictures according to the story.

I didn’t limit the author in any way as to what is and isn’t possible in photography and so there were many challenges that I thought I couldn’t possibly overcome. For example, I photographed a flying bird nest with a lizard and an acorn elf, or an acorn elf with a dog fleeing underground through mole burrows from fighting earthworms. But in the end I did it all! And if I can get a publisher abroad, these lovely books will be published in English.

Actually, I have already published one book in France, bilingual (English and French): Acorn Elves – the lovely creatures from Petr Vaclavek. But it doesn’t contain a story for children; it’s a book of my photos with short bilingual captions, a short interview, and a photo guide for gluing and taking pictures of an acorn elf.

What does the future hold for the acorn elves?

I’d love to see them in an animated movie or TV show someday. I’ve been working with a Czech company on this for a year now, but it’s a long haul – you can’t do it with one person anymore. I definitely also want to try to come up with a board game with acorn elves in the next few years, and maybe we can make a computer game – that would be a nice stepping stone to a movie.

You can find out more about Petr and his acorn elves on his website, Facebook, Instagram, Youtube or other social media. You can also visit his shop for Europe or for the rest of the world.

And now, for the traditional giveaway! Clarisse is going to send 4 postcards featuring Petr’s Acorn Elves to 4 randomly picked postcrossers. To participate, you have to tell us: “If you could create your own acorn elf, what would it look like or what would it be doing?” Leave a comment below, and come back this time next week to check out the winners!

Clark Little is an award-winning photographer based in Hawai’i. His 2022 book, The Art of Waves, was published as a postcard set in 2023.

In 2007, Clark realized his passion for shore break photography when his wife, Sandy, brought home a photograph of a wave to decorate their bedroom wall. Clark immediately bought a waterproof camera and used his experience as a surfer to begin recording his own perspectives of Hawaiian waves. Since then he has gained international recognition for his photography with magazine features in National Geographic and LIFE, and exhibitions throughout the US and internationally in Canada, Europe, Asia, and South America.

A while ago, Clark took time out from the waves to answer a few questions from Clarisse (aka CStar9), our intrepid reporter!

Your audience for this interview is international, from more than 200 countries. How do you think oceans unite us?

We live on a planet mostly covered by ocean. Water is 70% of earth’s surface, and of that, more than 95% is salt water. The ocean connects us all.

To me, being in the water, especially salt water, feels the most natural of anything to do. I feel alive. I think others can feel that too and have a connection to it on a higher level.

The Art of Waves was recently released as a postcard set. Why postcards? And what is your relationship to snail mail?

I love postcards.

When I first started photography 15 years ago, one of the first things I did was print a series of postcards. The local stores on the North Shore and Starbucks coffee shops let me leave stacks in there. I’d give them away for free. It exposed all of these people to my photography and got the word out. The postcards drove people to my website where I could then sell prints.

When Penguin Random House published my new book, all of us involved really wanted paper products to go with it. We wanted the photos to live outside the pages of a book: a jigsaw puzzle for those who love games and a challenge and who want to get to know an image intimately. Postcards for people who love to collect and put something on their walls, and to share.

Postcards are a chance to spread the images around the world. It’s an incredible format for sharing my photography. For people who don’t want to buy a larger print, postcards are a great way to have a small piece of my artwork. The printing is beautiful – full color! It can be framed and put up on the wall or on the refrigerator with a magnet, and of course mailed and shared with family and friends.

I don’t send too much mail myself, but receiving mail is great. So much fun to go to the mailbox and see what’s in there.

In five words or less, what do you hope your photography conveys about the shore break?

Nature’s power, beauty, and magic.

What does scoping a new photography site look like for you? Do you surf to get a feel for the place, or watch from shore, just dive in with your camera, or something else?

I don’t surf much any longer. Once I got hooked on photography, I stopped surfing. I tried to surf a few times but all I could think about was the great shots I was missing.

So…. no, I don’t surf a new location first. The main thing I do is watch: see how the waves are breaking, how the currents are running. Try to figure out the bottom before I go out.

If there is someone out surfing or doing something in the water, I’ll see how they move around and are affected by the waves. If someone is on the beach, I’ll ask questions.

One thing I have learned, and we are taught from an early age in Hawaii, is to respect nature and its power. Nature always has the last say and makes the big decisions.

And then sometimes you just have to jump in and figure it out as you go. I have been caught in some pretty dicey situations. Like shooting very large waves in hidden valleys with only my assistant around and no cell reception in case I got hurt or sucked out to sea.

Or, shooting directly in front of an active lava flow. The lava was coming onto the beach and I was just a stone throw away shooting waves. I was trying to get a shot of the red hot lava at the end of a tube. I didn’t realize what looked like a sandy beach was actually glass-like shards of fresh lava. After just 15 minutes of getting tossed in the waves I was bleeding everywhere. Just walking on the “beach” to and from the water, I had cuts all over the bottom of my feet. And I didn’t get a good shot, which was just as painful!

Is there a page in the book (or card in the postcard set) that conjures a story for you that you’d like to share?

This postcard photo of a wave breaking on dry sand titled “Last Blast” is one of the most unique perspectives. “Last Blast” is also in my book. This type of shot really caught people’s attention when I was starting out. The most common questions were, “Is it real? What happened to the photographer?"

The average person, or even someone who surfs a lot, couldn’t be in this position getting a photo like this. It’s dangerous and requires perfect timing. It’s a large wave breaking on the dry sand. In another second, it will crash down and send me and my 10-pound camera flying up the beach. Sometimes I am swept up the beach over a hundred feet. Once in a while, I even lose my $10k camera and rig – which I’ve always been able to find and retrieve. With all of the beatings I take, I only get a few really good shots each year. The ratio is really low, but when I get a great shot, it’s worth it all.

These are called “Run and Gun” shots. You can’t swim around in the water in these type of waves – they break right on dry sand. It’s a technique where I run down the beach and throw myself on the sand at the foot of a wave right before it heaves over. I am in the pocket for a few seconds and snap as many shots as I can during the calm before the explosion. I love seeing the grains of sand, the water throwing over in a perfect arch, and some palm trees outside the tube. I never get sick of these shots.

When did you first see yourself as a full-time professional photographer? What would you tell the person you were 20 years ago about this move?

14 years ago – the week I appeared on live TV in the US showing my photography on Good Morning America: that was the transition point. The show was seen by something like 4–5 million people. Things just blew up after that. The week started with a UK newspaper featuring a handful of my shots and ended with this television appearance. My website almost crashed with the volume of sales and emails. It was the first time I thought I could be a professional photographer and make a living from it.

And the momentum kept going, so a few months later I quit my job as a supervisor at a botanical garden in Hawaii. It was a job I held for 17 years and thought I’d be doing it until I retired. I had all of the benefits and steady income. It was a safe path with kids, wife, and a mortgage. Once I jumped into photography full time, things went to the next level.

If I was to go back 20 years ago, I would tell myself, quitting my job was the best decision of my life. I’d also remind myself, don’t hesitate to do something if it feels right. If you have a passion for something and an opportunity presents itself, don’t talk yourself out of it. Go for it… full throttle!

To learn more about Clark and his work, check out his website, where you’ll find out more about his photography but also links to interviews he’s done over the years. And we really recommend watching this Nikon short documentary about Clark, to see him in action in the ocean!

And here comes the traditional giveaway! Clarisse is happy to award four postcrossers with a postcard from this lovely set. For your chance to receive one, comment below to let us know how you feel about the sea: do you live or take holidays by the sea? When was the first time you saw the ocean? And did you ever get knocked over by a wave breaking near the shore?